Nan Goldin

10:41

Nancy (Nan) Goldin is an American photographer who lives and works in New York, Berlin and Paris. Her work is known for including LGBT themes and are of a very personal and explicit nature. 

At age 18 Goldin was living and photographing drag queens; she admired them greatly, and wanted to represent them as something inspiring and people to be respected rather than outsiders.
She has been criticised, similarly to Corinne Day, for her role in the glamourisation of drug abuse and pioneering the herion chic and grunge culture which was popularised by magazines such as The Face and ID. 

In the book Auto-Focus, her photographs are described as a way to 'learn the stories and intimate details of those closest to her'. Her unique style which demonstrates her true insider position as a photographer when photographing sex, violence, and drug use. 







This image above, titled 'One month after being battered' is the most powerful photograph in her series, The Ballard of Sexual Dependency. An iconic self portrait taken at Goldin's request by Suzanne Fletcher. The images evokes pain and this is heightened by her aesthetic of high contrast and flash, and the way she is dressed; her bright red lipstick highlights the red bruise under her eye. Her glamorous hair and makeup is a strong act of defiance; she won't hide away from what happened and from the public eye while her wounds heal. When asked about this image, she described it to be about 'every relationship and the potential of violence in them'.

Her 1985 slide show titled The Ballard of Sexual Dependency is her most famed work. She describes the published book as the diary which she lets people read. This is something which resonated with me as I really like the idea of my work being a personal photographic diary. The book utilises a snapshot aesthetic depicting drug use and aggressive couples in addition to autobiographical elements. 





The image on the left, titled Anthony by the sea, Brighton, England 1979 really stood out to me from the rest of the images in the book. The shot seems really reflective and feels very different to some of the other images in the book. As a reader, it made me pause and have a second take. Throughout the book, there are accents of this blue against the much more dark and muted colour palette, however none are as still and considered as this composition. 



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